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BRUNO DUMONT speaks about his filmography
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MARIJA TWO TIMES AWARDED IN FIFA !
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DAO KHANONG honored by 11 nominations at the Subhannahong Awards
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DAO KHANONG US premiere in New Directors/New Films in New-York !
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BARRAGE poster and clip reveals !
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Le parcours de MARIJA salué au Festival d'Angers !
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An inside of the shooting of JEANNETTE !
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FROST, une bonne raison de continuer à aller au cinéma !
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JEANNETTE, #24 most anticipated foreign films of 2017
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DAO KHANONG, one of the Best Undistributed Films of 2016
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APPRENTICE EN DVD
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MARIJA in the 10 Best Undistributed Movies of 2016
MARIJA in the 10 Best Undistributed Movies of 2016
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HEDI supported by Berlinale World Cinema Fund
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Success for Boo Junfeng at the Golden Horse Festival
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MIMOSAS by Oliver Laxe awarded at Cairo International Film Festival
MIMOSAS by Oliver Laxe awarded at Cairo International Film Festival
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DAO KHANONG (By the time it gets dark) @ BUSAN 2016
DAO KHANONG (By the time it gets dark) @ BUSAN 2016
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MARIJA @ BUSAN 2016
MARIJA @ BUSAN 2016
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MIMOSAS @ BUSAN 2016
MIMOSAS @ BUSAN 2016
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APPRENTICE @ BUSAN 2016
APPRENTICE @ BUSAN 2016
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APPRENTICE (BOO Junfeng) - selected as Singapore's entry for Best Foreign Film Oscars!
APPRENTICE (BOO Junfeng) - selected as Singapore's entry for Best Foreign Film Oscars!
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#Repost @quinzaine_des_realisateurs with @get_repost ・・・ Portraits 〰 Weldi 〰 Mohamed Ben Attia, Imene Chérif, Mohamed Dhrif, Mouba Mejri, Tarik Copti, Taylan Mintas, Zakaria Ben Ayed ! #quinzaine2018 #quinzaine50 #cannes #film #festival #filmfestival #weldi #mohamedbenattia 📸 @cecile_burban
#Repost @quinzaine_des_realisateurs with @get_repost ・・・ Portraits 〰 Weldi 〰 Mohamed Ben Attia, Imene Chérif, Mohamed Dhrif, Mouba Mejri, Tarik Copti, Taylan Mintas, Zakaria Ben Ayed ! #quinzaine2018 #quinzaine50 #cannes #film #festival #filmfestival #weldi #mohamedbenattia 📸 @cecile_burban
Proud to announce #CHUVA É CANTORIA NA ALDEIA DOS MORTOS (THE DEAD AND THE OTHERS) won the Special Jury Prize in #UnCertainRegard!!! Congratulations to the directors João Salaviza and Renée Nader Messora, along with all their crew and cast! #Cannes2018 #apib
Proud to announce #CHUVA É CANTORIA NA ALDEIA DOS MORTOS (THE DEAD AND THE OTHERS) won the Special Jury Prize in #UnCertainRegard!!! Congratulations to the directors João Salaviza and Renée Nader Messora, along with all their crew and cast! #Cannes2018 #apib
The red carpet of #CHUVA É CANTORIA NA ALDEIA DOS MORTOS (THE DEAD AND THE OTHERS) by JOÃO SALAVIZA and RENÉE NADER MESSORA! ✨ #Cannes2018 #UnCertainRegard #ucr #apib #demarcaçãojá
The red carpet of #CHUVA É CANTORIA NA ALDEIA DOS MORTOS (THE DEAD AND THE OTHERS) by JOÃO SALAVIZA and RENÉE NADER MESSORA! ✨ #Cannes2018 #UnCertainRegard #ucr #apib #demarcaçãojá
A central notion that permeates THE DEAD AND THE OTHERS is that of mecarõ, a complex, ambiguous and contextual concept which refers to the projected images of present or absent bodies, allowing for different translations: souls, spirits, shadows, reflections, photographs, films, voice recordings, dreamlike images. More than a mere projection, mecarõ is conceived of by the Krahôs as the acting and agency of the person’s double, possessing mobile existence and independent to the body in relation to which it is autonomous, at the same time that it is intricately tied to it #Chuva #UnCertainRegard #Cannes2018 #apib
A central notion that permeates THE DEAD AND THE OTHERS is that of mecarõ, a complex, ambiguous and contextual concept which refers to the projected images of present or absent bodies, allowing for different translations: souls, spirits, shadows, reflections, photographs, films, voice recordings, dreamlike images. More than a mere projection, mecarõ is conceived of by the Krahôs as the acting and agency of the person’s double, possessing mobile existence and independent to the body in relation to which it is autonomous, at the same time that it is intricately tied to it #Chuva #UnCertainRegard #Cannes2018 #apib
Some key information regarding the context of THE DEAD AND THE OTHERS’ shooting: « Thirty years have passed since the Federal Constitution of 1988, which consecrated the multiethnic nature of the Brazilian State, and the indigenous peoples of Brazil are living the most severe situation of attacks on their rights since the redemocratization of the country. The originary rights over our lands have come to be systematically violated by the Executive, Legislative, and Judiciary powers, not only with the full stoppage of the demarcations of indigenous lands, but also through the revision and annulment of the processes for recognition of our territorial rights. » - APIB - Brazil’s Indigenous People Articulation #CHUVA #apib #UnCertainRegard #Cannes2018 #demarcaçãojá
Some key information regarding the context of THE DEAD AND THE OTHERS’ shooting: « Thirty years have passed since the Federal Constitution of 1988, which consecrated the multiethnic nature of the Brazilian State, and the indigenous peoples of Brazil are living the most severe situation of attacks on their rights since the redemocratization of the country. The originary rights over our lands have come to be systematically violated by the Executive, Legislative, and Judiciary powers, not only with the full stoppage of the demarcations of indigenous lands, but also through the revision and annulment of the processes for recognition of our territorial rights. » - APIB - Brazil’s Indigenous People Articulation #CHUVA #apib #UnCertainRegard #Cannes2018 #demarcaçãojá
Time to turn the red carpet political when the team of #CHUVA É CANTORIA NA ALDEIA DOS MORTOS (THE DEAD AND THE OTHERS) comes to Cannes with this movie voicing Krahô’s concerns to save their lands and traditions! #Cannes2018 #Demarcação #apib #UnCertainRegard
Time to turn the red carpet political when the team of #CHUVA É CANTORIA NA ALDEIA DOS MORTOS (THE DEAD AND THE OTHERS) comes to Cannes with this movie voicing Krahô’s concerns to save their lands and traditions! #Cannes2018 #Demarcação #apib #UnCertainRegard
Among #WELDI (DEAR SON)’s solid crew, Mohamed Ben Attia teamed up with Nadia Ben Rachid. French-Tunisian editor, she’s a long-time collaborator of Abderrahmane Sissako and received a César for Best Editing for her work on Timbuktu! #Cannes2018 #Quinzaine2018 #BACfilmsdistribution #madsolutions #lesfilmsdufleuve #dohafilminstitute
Among #WELDI (DEAR SON)’s solid crew, Mohamed Ben Attia teamed up with Nadia Ben Rachid. French-Tunisian editor, she’s a long-time collaborator of Abderrahmane Sissako and received a César for Best Editing for her work on Timbuktu! #Cannes2018 #Quinzaine2018 #BACfilmsdistribution #madsolutions #lesfilmsdufleuve #dohafilminstitute
When the sky closes in, announcing rain, it is when they arrive / and they keep on walking on. They walk, singing / making noise. Rain coming, chant in the land of the dead. (Part 3 of FALA HACÀC, a Krahô song you can hear in THE DEAD AND THE OTHERS) #chuva #UnCertainRegard #cannes2018 #apib
When the sky closes in, announcing rain, it is when they arrive / and they keep on walking on. They walk, singing / making noise. Rain coming, chant in the land of the dead. (Part 3 of FALA HACÀC, a Krahô song you can hear in THE DEAD AND THE OTHERS) #chuva #UnCertainRegard #cannes2018 #apib
When the weather closes in, the souls of the dead walk with him / say they go on amusing themselves / making noise / they have already taken the soul of the person / and they go on, the souls. (Part 2 of FALA HACÀC, a Krahô song you can hear in THE DEAD AND THE OTHERS) #chuva #UnCertainRegard #cannes2018 #apib
When the weather closes in, the souls of the dead walk with him / say they go on amusing themselves / making noise / they have already taken the soul of the person / and they go on, the souls. (Part 2 of FALA HACÀC, a Krahô song you can hear in THE DEAD AND THE OTHERS) #chuva #UnCertainRegard #cannes2018 #apib
When someone dies/ the dead take his soul/ and sing with him/ walking and making noise, like the noise of rain coming. (Part 1 of FALA HACÀC, a Krahô song you can hear in THE DEAD AND THE OTHERS) #chuva #UnCertainRegard #cannes2018 #apib
When someone dies/ the dead take his soul/ and sing with him/ walking and making noise, like the noise of rain coming. (Part 1 of FALA HACÀC, a Krahô song you can hear in THE DEAD AND THE OTHERS) #chuva #UnCertainRegard #cannes2018 #apib